Meghan Ross is a writer, producer, and comedian, and the host of the women-run late night show That Time of the Month (Teen Halloween episode is this Saturday at ColdTowne, featuring an all-teen girl lineup!). We sat down with Meghan to talk about her upcoming film, An Uncomfortable Woman.
How’d you get to ColdTowne?
I moved to Austin 2 years ago from New York, where I had started performing comedy and completed my improv/sketch training at UCB, and ColdTowne was kind enough to give me a monthly spot on the schedule when I wanted to adapt That Time of the Month here (I’d previously been co-hosting it for 2 years in New York with Liisa Murray). This fall, I’m also directing and producing An Uncomfortable Woman, a dark comedy short film I’ve written with Sam Stepp.
You’re currently in pre-production mode for An Uncomfortable Woman. Can you tell us what inspired you to write and produce this project?
Every year, I make a resolution to film something I write, and every year, I procrastinate on that goal (does this 
make me relatable???). About a year ago, Sam and I started meeting up as writing accountability buddies, keeping each other in check on our own personal projects. During one of these meetings, Sam had just finished watching a disturbing amount of Lifetime movies on YouTube and we started discussing how they all have one theme in common: show women in pain, as a form of entertainment.
We were both drawn to the dark comedy genre, and it seemed natural to use that tone to depict someone going through some real shit, while using humor to cope with it. I’d found myself in one of those shit moments last year with the passing of my Aunt Dawn, who was like a second mother to me. I continue to use comedy to help me ride the ups and downs of the grief rollercoaster (which sounds like a failed idea for a Six Flags ride).
Our idea developed further when we honed in on a woman dealing with her own personal trauma, and at the same time, experiencing the everyday behaviors of a patriarchal society. We thought it’d be interesting to show what seem like trivial moments in the script (ex: a waiter putting his hand on her waist to brush past her) as much more eerie and exaggerated through cinematography, to convey the discomfort a woman feels internally, but might not be as obvious to others externally. And on top of everything that’s already happened to this woman (her mother passed away, she had to move back into her childhood home after the end of her engagement), she still feels like a third bad thing is lurking around the corner.
Tell us about the leading lady.
The role of the lead character is played by Robin Beltrán, a Houston-based actress who also happens to be an amazing vegan chef and an all-around wonderful woman being! Our goal was to cast a WOC as the lead, because we wanted to flip the trope of an ethnically-ambiguous sidekick who serves a white lead character’s storyline and instead focus the story on the WOC, with support from the fantastic Haley Alea Erickson (Say Uncle Improv) as the lead’s childhood BFF.
I met Robin through casting and quickly learned the obstacles she’s had to overcome in her personal life, from a tragic incident where her husband was shot (propelling her family to adapt a plant-based diet, since it was the only way he could process food), to a former news station employer criticizing and wanting to change everything about her appearance, including her natural hair. Her resilience has been so inspiring to me, and she’s been incredibly supportive of the project since the day she came into auditions.
Why was it important to you to have a crew made up entirely of women and POC?
It’s taken a long time for the TV/film industry to realize the importance of diverse casting when it comes to telling stories from the perspective of POC (see: Matt Damon, Emma Stone, Scarlett Johansson, someone probably auditioning for Aladdin 2 right now) and we still have a lot more work to do to improve it. But booking a diverse crew and staff (anywhere from the writers’ room to showrunners, gaffers to directors) continues to be an afterthought for many studios and networks who boast about their “woke” content.
That’s why another priority on this project was to have a crew that reflects the inclusiveness of the cast. And for me, that extends to booking women in roles that are often exclusively filled by men on set. I’ve witnessed this gender inequality in previous work experiences in the TV industry, as well as in the comedy scene with show lineups. I may not be a rich and powerful TV/film executive, but I can still implement the kind of change I’d like to see, even on a smaller level.
How can folks support the project?
We’re currently raising money to fund our film (most importantly, pay and feed our amazing cast and crew). If you have the means, please consider donating to our Indiegogo campaign where in exchange, you can get some cool-as-hell prizes from local women-owned businesses, women artists, and women professionals.
If you can’t donate, please share the link with anyone/everyone you know! We’re also looking for businesses who are interested in donating meals for craft services during our shoot days, so if that’s you, please email us at uncomfortablewomanfilm@gmail.com.
Where can we follow for updates?
You can follow us on Facebook, Twitter (@uncomfwoman), and Instagram (@uncomfortablewoman). This is the one scenario where it’s appropriate to follow around “an uncomfortable woman.”
You can see Meghan Ross in her monthly ColdTowne show, That Time of the Month, and on Saturday, Nov. 3 at BettyFest at the Historic Scoot Inn.
